The vibrant flame

The transformation immediate.
A vibrant flame erupted from the ash,
chasing away the encroaching shadows.

Panic seized apathy’s inhabitants.
The familiar, emotionless world
was being challenged.

They tried to extinguish the flame,
hurling barbs of doubt
and apathy.

But ash held firm.
The fire within grew stronger,
fuelled by the forgotten dreams of the world.

It spread, flickering at first,
but then catching on
in the hearts of others.

A blacksmith, long resigned to cold metal,
felt the heat of inspiration and
began to forge anew.

An artist,
brush long dormant,
felt the passion to create.

The fire raged,
not with destruction,
but with the promise of rebirth.

As the flames danced,
casting flickering warmth on the land,
apathy began to melt away.

Fear remained.

Fear’s shriek

Fear gnawed at him,
he could hear the shriek.
Telling on someone felt wrong
but the injustice simmered,
especially since
this somebody was plain him.
The crime was there
the wound open.

Grandpa always said,
“Do the right thing.”
So, with a deep breath,
he stood outside the imposing
brick building
took a deep breath and
admitted himself.
Wounds should heal.

Perceptions irrelevant

The potentials were bright, good family,
devoted Christians and all that.
The mother down to earth
the father had working.

Then terminality came,
no permits discussed,
perceptions irrelevant,
devices almost sensible,
no clear anticipations.

Expectations superseded,
required to reminisce the last kiss.
Lust numb in acquisition for survival,
the good family,
the devoted Christians
became a fade remembrance had to remake,
surfacing only in dark flashes of desperation.

The clocks are clicking,
A reminder of the last trail to fondle dust.

When the raven

Remember when the rat lied again
and the raven flew away?
Remember when the rat made you
guessing your own self,
your principals and stances.
When the raven flew away?

Remember when crossroads met
and building gave the clues?
Remember when the rat carrying
the smells of the deepest sewers
made you doubt?
When the raven flew away?

Remember when the rat
poisoned you with promises?
Remember when the rat soured
your deems, pushing
to the edge of the
absolute qualm?
When the raven flew away?

Remember?

Not drunk

‘Close the door,’ she said and
moved further in the dark.
‘I don’t like the light,
I hate the bright.’ She said
and she started crying.

He said nothing,
entered the room and
kept away from the stench.
Cheap vodka and sweat,
an insinuation of urine
in the back.

‘Not drunk,’ she fabled ghostly,
her eyes barely moving.
‘Just me,’
Just, I echoed her tone
desperately.
A chorus of fear.

Rackets dancing in
a horrendous plant of
boneless souls.
The tears silent ballet
a dramatic choreography.
A waltz of dread.

‘Not drunk,’ she whispered again,
‘not drunk.’
And the smell of
cheap vodka and sweat
drawn him into limitless misery.
The chain of lies.
Again!

Mona said nothing.

Joel yelled, “I had a ghastly childhood,”
but Mona said nothing.
“I accept the apparent of oblivion,
the neglect and the eruption of loneliness
in a wretched early life.”
Mona said nothing.

“My most elementary demands
for some affection
always faced empty eyes,
a billion years of feeble deception.”
And Mona said nothing.

Joel leaped in the dark his voice trailing a gasp
and Mona was alone.
With or without Liam,
Mona always alone.

A tortured past her only companion
bouncing from one nightmare to the other,
ricochet of directed dim,
a dance of matters dark
and a sneeze of a childhood
Joel echo but never lived.

Mona said nothing.

Populous Daylights IV

Aimlessly and brainless aiming to convey
successful dynamics into a differential ways,
conversations about potatoes and tomatoes
not to mention broccoli.

Populous Daylights IV, collection Populous (No8)
600x420mm – Mixed med

Populous at work II

Propositions of all settings,
and all that came before.
An eternity in dust, declaring regrets
on should or should not perform.

Populous at work II, collection Populous (No5)
600x420mm – Mixed media

Tawny/Autumn

Gyrations of reality
reminding rebirth
in every conceivable reality,
quietly, without inhibitions 

Autumn, collection Seasons (No3)
420x600mm – Mixed media

Four o’clock

Four o’clock in the morning and I woke up suddenly
scared from that inside sound.
Checked for you on my side
and you weren’t there,
c’est la vie, little voice screamed in my brain
and then again, que sera sera.

It’s not what I want anymore, baby;
it’s what life takes, what time gives
and then lets you dry.
All along with the bottle,
no ice, straight in the glass,
all the way down the throat.

Five o’clock and I know, baby,
You’re never coming back,
confirmed your replacement,
laying there full presence,
again on my side,
no ice, straight from the bottle.